Lynn Hamilton, Beloved 'Sanford and Son' Star, Dies at 95
Max Sterling, 6/22/2025From breaking ground as the sole Black student at Goodman School of Drama to stealing scenes in "Sanford and Son," Lynn Hamilton's 95-year journey wasn't just about acting—it was about rewriting the rules. Her five-decade career, spanning from Broadway to prime time TV, reminds us what true staying power looks like.
Lynn Hamilton's passing at 95 marks more than just the end of a remarkable life — it represents the closing chapter of television's transformative era. The trailblazing actress, who died peacefully in Chicago last Thursday, leaves behind a legacy that spans well beyond her memorable roles on screen.
Born Alzenia Hamilton in Mississippi's Yazoo City back in 1930, she'd later adopt the stage name that would grace countless television credits. Her journey from the Deep South to the bright lights of Hollywood reads almost like a script itself — though perhaps even the best writers couldn't have crafted such a compelling narrative.
The Goodman School of Drama in Chicago became her first real stage, where she stood out as the sole Black student among her peers. Not that it fazed her much. Hamilton would go on to break similar barriers throughout her five-decade career, most notably as Nurse Donna Harris on "Sanford and Son," where her chemistry with Redd Foxx created some of the show's most memorable moments.
Television audiences of a certain age might remember her better as Verdie Foster from "The Waltons" — a role she loved so deeply she returned to it twice for holiday specials in the '90s. But Hamilton's reach extended far beyond these signature parts. From "Gunsmoke" to "Curb Your Enthusiasm" (talk about range), she brought depth and authenticity to every character she portrayed.
Her theatrical roots ran deep. Before becoming a familiar face on the small screen, Hamilton conquered Broadway in the late '50s and early '60s, appearing in four productions that showcased her versatility. Perhaps most fascinating was her selection for President Kennedy's cultural exchange program — imagine touring the world performing "The Miracle Worker" and "The Skin of Our Teeth" as an cultural ambassador during the height of the Cold War.
Behind the scenes, Hamilton's 50-year marriage to poet and playwright Frank S. Jenkins produced more than just domestic bliss. Their collaboration on "Nobody: The Bert Williams Story" demonstrated how artistic partnerships could transcend the personal, creating works that resonated with audiences while pushing creative boundaries.
The NAACP recognized Hamilton's contributions with an award that acknowledged not just her talent, but her role in reshaping the entertainment landscape for performers of color. As we look back now, in early 2025, at how far representation in media has come, it's worth remembering pioneers like Hamilton who helped pave the way.
Rev. Calvin Carson, her former manager and publicist, put it best in his touching social media tribute: Hamilton's work continues to "uplift and inspire" new generations. In an age where streaming platforms constantly serve up fresh content, her performances — spanning from classic television to daytime soaps — remain masterclasses in the art of character development.
Hamilton's peaceful departure, surrounded by family in her beloved Chicago, feels like an appropriately graceful final bow for an actress who brought such dignity to every role she touched. Her story reminds us that some stars shine not just brightly, but with a warmth that continues to light the way for others long after they've left the stage.